Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Saturday, September 11, 2021

What I'm Reading 2021: Loose Gravel by Ginny Fanthome

I received a random email from the author in which I was invited to review this book in the hopes of producing some positive press.

Here's what I came up with:

Loose Gravel by Ginny Fanthome – A Punk Band’s Blood, Sweat and Tears

Few fictional stories are written about the nightmare of being a musician in a band doing one nighters touring across the continent in a van. If you have been there and done that my guess is that it’s a memory you try to blot out of your mind. Also you are probably in your fifties by now.



Breaking news: the music business changed. Now there is no cash for anybody. Small and mid-sized town bars are poor. No money is left to pay bands doing one-nighters. Even back in The Day, ie. the era in which Loose Gravel takes place, there was barely enough money to cover the band’s gas, meals, and a poor performance fee. Accommodation was out of the question, hence sleeping in the van. And yet, bands could make a go of it if they didn’t self-destruct or kill each other.

We paid our dues, but very few actually made a career out of music. Hardly anyone even made a living wage.

To add to the suffering, the pandemic has kicked the music biz while it was already down. Beginning bands, one nighters, touring … the dream is dead.

We of the “older generation” have forgotten how bad life on the road was, and what we were willing to put up with to play. A fucking grind, it was. 

But I wouldn’t change a thing, because in the midst of all the idiocy there were life lessons. Loose Gravel has brought it all back. Therefore it is a worthwhile read.

Loose Gravel by Ginny Fanthome is a brutally honest, realistic yet fictional look at touring and playing in a punk band doing one night stands. The band’s name is Spooge. The four members are Steve: super-talented gay guy of Asian race who happens to sing and put on a good show; Marcus: A super smart, witty, closet writer/asshole and womanizer who happens to play guitar; Lion: A tall, tough dude from a poor and shitty childhood who thinks he’s Sam’s boyfriend who happens to play bass; and Sam: The chick drummer who has a heart of gold and a clear mind despite wrestling with her own demons.

The story is told from Sam’s perspective.

Loose Gravel thoroughly explores the personalities and relationships of the four bandmates. To sum it up: There is always much brokenness, but hope springs eternal.

Spooge is on an odyssey, an entry-level opportunity where the musicians will travel and sleep in the van to save money. They will sleep with their gear unless they can scrounge some sort of better sleeping arrangement. As they drive to the next gig they pray that the driver will stay awake and that the van will keep on running. They will try to give each other space. Of course, people will be inconsiderate; tempers will flare. Mix in some booze and fists will fly.

There is never a dull moment in Loose Gravel. It is a fun read, but it is much more than just the craziness of life on the road. Fantholme in telling the story through Sam’s eyes has carefully woven a thread of hope into the story. It’s all about relationships.

I enjoyed how Sam’s hopeful and reflective nature, particularly her compassion, developed as the tour’s chaos churned on, and I was happy to see how she did not stay down when knocked over emotionally. And believe me, there were some hard knocks! 

Loose Gravel is a reminder that every person has their own struggles and backstory, and how being on the road makes it possible to meet and even try to help all kinds of needy people.

Each of Sam’s bandmates show some growth, providing a few more glimmers of hope as the story developed. Loose Gravel didn’t have a perfect happily-ever-after ending, but I was left feeling satisfied.

Kudos to Ginny Fanthome. Loose Gravel is a gem of a story and would be a welcome addition to the musician lore section of any book collection.

Saturday, August 21, 2021

Timeline for Education and Teaching

September 1974 to June 1979 High School

September 1979 to August 1980 Work doing Vacuum Installs

September 1980 to December 1980 University of Guelph

January 1981 to August 1981 Work and Lessons and Auditions for Music School

August 1981 found apartment in Hamilton - 40 Oxford Street

September 1981 Started Mohawk College

July 1983 Summer Tour with Heartbeat Band

September 1983 to April 1984 Graduating Year of Mohawk College

May 1984

September 1984 started McMaster Music

May 1985 Trip to Colorado Springs

May 1986 Trip to Philippines

April 1987 graduated McMaster Music

September 1987 started Bachelor of Education at Faculty of Ed. University of Toronto (FEUT)

April 1988 graduated FEUT, granted Ontario Teaching Certificate

April/May 1988 AQ course in ESL part 1

June 1987 Supply teaching in Oakville

June 1987 Interviews in Mattawa and Sudbury. Hired for Music at Lockerby Composite School in Sudbury. Starting salary approximately $25,000/year.

September 1988 moved to own apartment in Garson, just outside of Sudbury. Began teaching music, adult art, history.

April 1989 Lockerby Jazz Band won Gold at Northern Ontario Band Festival

May 1989 trip to Musicfest Nationals in Toronto, won Bronze

July/August 1989 trip to England, Jordan, Syria, Turkey, Germany

August 1989 engagement with Brenda :)

December 1989 moved to Walford Road apartment in Sudbury

May 1990 band trip to Boston

July 1990 our wedding. Honeymoon at Pat Shaw's cottage on Pickerel River. Travel to Indianapolis for the coveted "Bill Gothard Institute" OMG OMG I can't believe it. Somebody stole Brenda's new compact bible LOL. We hated the teaching about music being evil. Damn straight we did.

July/August 1990 getting moved and settled in at Walford Road apartment in Sudbury.

September 1990 Brenda starts BA at Laurentian University, while I continue music teaching, we opened our piano lab and I was also picking up some history and basic math courses.

May 1991 band trip to Bahams.

May 1992 band trip to Hawaii. Brenda came along as an additional chaperone.

June 1992 last day teaching at Lockerby. Resigned from Sudbury Board of Ed. Packing up and moving to Hamilton.

July 1992 moved into our basement apartment on Harvest Road in Dundas. Resumes sent out in all directions.

August 1992 interviewed with Glenn Mallory for Hamilton Board of Ed and was hired to work in teaching music at Tweesdmuir Middle School.

September 1992 first day teaching at Tweedsmuir. Brenda babysat for Linda, I would drop her off on my way to work.

February 1993 bought our house on Adeline Avenue and moved in on the coldest day of the year!

June 1993 Olivia enters the world!

September 1995 first day at Memorial (City) School.

December 1995 Ian enters the world!

September 1998 first day at Viscount Montgomery School.

December 1999 Elinor enters the world!

September 2007 first day at Parkdale Elementary School, teaching grade two.

September 2014 first day teaching itinerant music at Adelaide Hoodless, Queen Victoria, Franklin Road and Mount Hope schools. 

November 30 2014 retirement date. November 28 last teaching day.


Saturday, October 29, 2011

It's Only a Matter of Degree

The Band is playing for eight weekends in a row. That's a first for the Ron Palangio Group, and in my humble opinion, not bad for a bunch of hobby freelance musicians! Here's the setup, for the record:
  1. The Innsville
  2. The Brassie Pub
  3. Waltz Live Music
  4. The Old Powerhouse
  5. Private Party
  6. The Innsville
  7. Winchester Arms Pub
  8. Magna International Corp. Christmas Dance
We finally get a weekend off on December 10th, but if we had our way we would book up for that night as well. We must love what we're doing.

Tonight is a first for us, however, because we're taking a stab at self-promotion. Waltz Live Music and Eatery is an established joint located downtown in Jackson Square.

A few of us went in on Karaoke night last Thursday to check out the PA. Sketchy setting: About 25 regulars scattered across the 125 seat room, one guy singing not too bad, and one guy on the dance floor dancing with himself. Oh well, I guess the regulars feel pretty comfortable!

Looks like we're going to have a "real" sound system tonight, which takes the performance angst up a notch. Usually, with our own PA, we're pretty comfortable, but with the new "showcase" concept and a new PA, I'm feeling nervous/excited.

That is a good thing. Way better than being bored with the gig and with the songs. Boredom would ruin our show and our edge. We need just enough UNCERTAINTY to keep us on our toes and in the moment. We must constantly eradicate the "ho-hum" factor. These 8 weeks in a row will be a success if we keep our edge, and keep it fresh.
The Ron Palangio Group, August 2011

Saturday, August 06, 2011

Summer listening #1


This group has come around again, and again, it seems. Simple mix, earnest and intense playing, catchy ideas and tunes. I first realized I had something to listen to when I heard Funk #49 on the radio. As I listened I heard familiar sounds, as if the band was copying Boston, The Eagles, even Led Zeppelin. But no, it's the other way around - Joe Walsh, guitarist in the James Gang, had a lot to do with the band's sound. Walsh went on to join The Eagles and also has had a significant solo career.

Monday, August 24, 2009

Thinking of Indie Music? ha ha

Indie Music. The most important aspect of the indie music culture is discovering bands that nobody else likes. But how's an over-educated 32 year-old to decide between all of the weirdly named

Saturday, July 05, 2008

Music Rehearsal Poll



The poll is at the right side of the page. You can select more than one answer.
Thanks!

Summary of a musical "flow" experience

  1. Clear goals
  2. Immediate feedback
  3. Confluence of action and awareness
  4. Deep concentration
  5. Sense of control
  6. Disappearance of self-control

In educational or professional musical settings, "flow" is the term given to the conditions described above. It is a framework for the ideal musical experience, where motivation and skill development is at its highest. It might also be useful as a diagnostic list, ie. when musicians complain about things not going well during rehearsal, it's likely because one of the listed items is not happening. Over the next few entries in this blog I plan to analyse the list further.

The term "flow" appears in the Summer 2008 issue of Canadian Music Educator. The author, Vivian Kim Cassie, mentioned that "flow" was originally used by a researcher named Mihalyi Csikszentmihalyi, who wrote about it in 1975. Recently the idea has been studied by Custodero and St. John. The Canadian Music Educator article by Cassie sums up some of her current research with her strings class. In particular she is looking at how seating arrangements in her classroom affect the "flow" of her music lessons.

Friday, June 29, 2007

More than you could Ask or Imagine!

From the "truth is stranger than fiction" department: my wife was hired to the position that I just vacated. This is a God thing. There's no other logical explanation, other than we are being looked after. So many other applications and processes were inexplicably blocked... but now I understand the bigger picture. She will give the teaching position such a fresh approach, the students for sure will quickly buy into her program, and we will see lots of new expressions of music at the school. I'm so thrilled to see this happen. It's more than anyone could ask or imagine.

To my many friends on staff at my former- and her new- school, thank you for your sincere friendship and support. I'll be seeing you soon!

Saturday, March 05, 2005

My son is a cadillac when it comes to music

I know I'm biased, but I'm repeating what my son's piano teacher said today, "We've got lots of Fords and Chevy's come through, but not many Cadillacs. You're son's a Cadillac." I think he was referring to Ian's ability to learn by hearing. He has a very strong pitch and melodic memory. The teacher suggested that Ian be putting his singing voice to good use. Are there any good boy's choirs in Hamilton? Unfortunately not... So, for now we'll just continue to do the piano lessons, and sing our five part blessing at every meal. I've heard dozens of creative reharmonizations and modal treatments, even polytonal renditions of "God our Father". It's hilarious; sometimes we all are so tired, or grumpy, that we can barely find the desire to sing. But Elinor usually gets us kick-started. Maybe someday we'll try something more ambitious.